Sorry for the absence this month! I've been almost buried by frustrations of failed attempts. This week I finally got a result which seems finishable and I want to make a quick WIP post of it.
æ¹å‹¢é€™å€‹æœˆå¹¾ä¹Žæ²’有更新...ï¼ä¸€åº¦é–‹å§‹æ€è€ƒæ˜¯å¦è¦æš«æ™‚æ”¾ä¸‹å¸æ’畫這æ¢è·¯ï¼Œä½†å›žé¡§åŽ»å¹´è‡³ä»Šçš„å˜—è©¦ï¼Œé‚„æ˜¯æœ‰äº›è¨±é€²æ¥ï¼Œæ‰€ä»¥ç¡¬è‘—é 皮一直在實驗和糾錯。於是在這星期...其實已經è¬å¿µä¿±ç°ä¹‹ä¸‹ï¼ŒèŽ«å其妙試出了一個看似å¯ä»¥å¥½å¥½å®Œç¨¿çš„æ–¹æ³•。
I twitted an earlier version 2 days ago:
兩天剿ˆ‘在推特上貼了張更早的版本:
And mentioned that I was adapting to a new workflow: doing sketching/shading/rendering at the same time. To be more specific, starting as a very rough sketch, then painting above the sketch, and while painting I still constantly switched to sketching/shading by creating new layers. If I'm happy with the process, all layers will be merged into one, and then repeat.
然後æåˆ°é€™å¼µåœ–çš„ä½œæ³•æ˜¯ã€ŒåŒæ™‚ã€è™•ç†è‰ç¨¿/é™°å½±/ç°éšŽã€‚更詳細點說明,先畫個éžå¸¸ç²—略的è‰ç¨¿ï¼ŒæŽ¥è‘—在è‰ç¨¿ä¸Šæ–¹é–‹æ–°åœ–層慢慢補上陰影與ç°éšŽï¼Œé‚Šç•«é‚ŠæŒçºŒé–‹æ–°åœ–å±¤æ·»åŠ æˆ–ä¿®æ”¹è‰ç¨¿ï¼Œè¦ºå¾—效果ok後會將所有圖層åˆä½µï¼Œç„¶å¾Œå†é‡è¤‡ä»¥ä¸Šæµç¨‹ã€‚
Surprisingly by this method, not only I'm gaining much more flexibility of painting, but also I don't need to heavily rely on references because all errors are highly fixable and the result still remains controllable. All I use for this work so far are 2 small heads & 2 anatomy figures on my desk. Anyway, I'll keep finishing this work before the end of this month!
本手法的最大優點:æµç¨‹æ›´æœ‰å½ˆæ€§ä¸”容易修改,ä¸éœ€è¦å¤ªéŽä¾è³´åƒè€ƒè³‡æ–™ï¼Œå› 為大部份å•é¡Œéƒ½èƒ½å¤ æŒçºŒä¿®æ£ã€‚ç›®å‰ä½¿ç”¨åˆ°çš„åƒè€ƒè³‡æºå°±æ˜¯èººåœ¨æˆ‘桌上的兩顆å°é 雕和兩隻è—ç”¨è§£å‰–æ¨¡åž‹ã€‚ç¸½ä¹‹æœ¬æœˆçµæŸå‰æœƒç¹¼çºŒå°‡æœ¬åœ–完æˆï¼
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2019-06-21 10:00:08 +0000 UTC