IllustrateFans
msicism

msicism

patreon


msicism posts

Eyes Do Not Want to Close at All Times, or, Perhaps One Day Rome Will Allow Herself to Choose in Her Turn (Jean-Marie Straub and Danièle Huillet, 1970)

Ooh, this was a toughie. Every once and awhile someone asks me what film might be a good place to start exploring the work of Straub/Huillet, and I usual...

View Post

Framing John DeLorean (Don Argott and Sheena M. Joyce, 2019)

Maybe critics and academics have gotten what we wanted, and now it's a Pyrrhic victory. After decades of decrying the God-like truth claims of standard, ...

View Post

Take Me Somewhere Nice (Ena Sendijarević, 2019)

Promising as a debut film, but mostly a trifle, this played Rotterdam and ACID and is the sort of film that you can typically expect to round out the Con...

View Post

Afterthoughts on Booksmart (2nd viewing)

Much silly comedy is wrung from the fact that Amy uses a stuffed panda instead of her hands to masturbate. But far more subversive from a kink standpoint...

View Post

Black Bus Stop (Kevin Jerome Everson and Claudrena Harold, 2019)

One of the reasons I so admire Kevin Everson's films is the determinedly "minor" nature of his short works. Each of them seems to represent a snapshot of...

View Post

Above the Rain (Ken Jacobs, 2019)

This might be a film emergency. You need to watch this, like, now.

Ken Jacobs has been working for years now on his current "Eternalism" method, wh...

View Post

A Study of Fly (Cherilyn Hsing-Hsin Liu, 2018)

One of the consistent joys of previewing the work included in the annual San Francisco Crossroads Festival is the inevitable discovery of new talent. But...

View Post

Years of Construction (Heinz Emigholz, 2019)

Of course it was a commission. How did I not see that?

At first I was quite taken with Emigholz's latest film, since, in a way, it struck ...

View Post

But what about lobsters?

This article made be hungry for some 2019-06-18 03:15:43 +0000 UTC View Post

Liberté (Albert Serra, 2019)

This will, alas, have to be a tentative evaluation, since the screener I watched was unusually substandard, and the film in question is one of particular...

View Post

Consequence (Thomas Heise, 2012)

One of Heise's more purely observational films, Consequence is a 65-minute study of a crematorium. It is almost wordless. There are a few brief ...

View Post

Mustererkenntnis (Pattern Cognition) (Thorsten Fleisch, 2019)

Some artists, like Beatrice Gibson, get more interesting over time, partly because of developments in their work, but also because you learn to read thei...

View Post

Two Sisters Who Are Not Sisters (Beatrice Gibson, 2019)

While I was a bit ambivalent, and even perplexed, by some earlier Gibson films (such as 2014's F For Fibonacci and 2015's Solo for Rich Man<...

View Post

The Beach Bum (Harmony Korine, 2019)

More Harmony, less melody.

The Beach Bum is, in its own comically irritating way, a complete success when Korine and Matthew McConaghey wo...

View Post

A Little Dead Time

Well, I have to take a somewhat unexpected trip, so I will be out of pocket for a week. I am going to try to get at least one post up here while I'm on t...

View Post

Ayka (Sergey Dvortsevoy, 2018)

This review contains minor spoilers. The tabula rasa types should steer clear. That means you, Mike. View Post

With a Little Help From My Friends

Over the next few days, I am going to be prioritizing watching some of the 2019 films from Cannes that I now have access to. However, I also have a backl...

View Post

Pasolini (Abel Ferrara, 2014)

Never not interesting, Ferrara's take on the final days of Pier Paolo Pasolini (Willem Dafoe) nevertheless falls squarely into the "interesting failure" ...

View Post

Booksmart (Olivia Wilde, 2019)

On twitter earlier today, my homie 2019-05-28 03:13:06 +0000 UTC View Post

Bait (Mark Jenkin, 2019)

Hey, remember when Guy Maddin delivered a full-on brother vs. brother melodrama in just under seven minutes?

That was awesome.

Now, I don't m...

View Post

Homage by Assassination (Elia Suleiman, 1992)

While doing a little research on Suleiman's latest film It Must Be Heaven, I came across this early work I'd never seen. I was vaguely aware of ...

View Post

But Seriously Though, Fuck Kechiche

I mean really. Lars von Trier makes an admittedly stupid joke, and Thierry Fremaux throws him out of Cannes for seven years, but the festival happily rol...

View Post

AUDIO ONLY: The Treatment for Mektoub, My Love: Intermezzo

AUDIO ONLY: The Treatment for Mektoub, My Love: Intermezzo

This helped Kechiche secure some funding, but I guess auctioning off the Palme d'Or made up the rest. No matter: come Saturday, he'll have another!

View Post

Apologies...

...subscribers, for the multiple postings. I have discovered, painfully, that Patreon is indeed not a blog, and goes well out of its way to protect the (perceived) proprietary rights of others. All I wanted to do was make a Cannes joke, b...

View Post

Pelourinho, They Don't Really Care About Us (Akosua Adoma Owusu, 2019)

Ghanaian filmmaker Akosua Adoma Owusu is gradually building one of the most vital bodies of work in the so-called avant-garde. Like many of the best expe...

View Post

No Lemons Sucked

No Lemons Sucked

Amidst the various reviews and reports coming out of Cannes this year, I am noticing the lack of one specific, frequent lament. No one has claimed that any film in Un Certain Regard or the Quinzaine rightfully "belonged in Competition." Not the Bo...

View Post

Great Troll, or The Greatest Troll?

What if, in a year with over a dozen serious contenders, they awarded the Queer Palme to Young Ahmed? I think you get where I'm coming from.

View Post

Vaterland (Thomas Heise, 2002)

[NOTE: This is something of a subscribers-only preview, I guess, of part of my next article for Cinema Scope, which will be about Thomas Heise's document...

View Post

Belonging (Burak Cevik, 2019)

This jarringly experimental narrative film from a relative newcomer (this is only his second feature) marks Burak Cevik as someone to watch. Although, in...

View Post

Waydowntown (Gary Burns, 2000)

There are films that I watched when they were new, and although I may have liked them well enough at the time, they didn't strike me as anything particul...

View Post